Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Memory (Phoenix Award Book (Awards)) Review

Memory (Phoenix Award Book (Awards))
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Memory (Phoenix Award Book (Awards)) ReviewThis is an amazing portrayal of the relationship between a ninteen year old "loser" and an old woman suffering from Alzheimer's disease. Margaret Mahy's young adult books are all wonderful, but "Memory" stays with you long after you have read it. Mahy manages to put magic into her novels even when not dealing with magic. When she does deal with magic, it seems natural and everyday. Try her novel "Changeover" if you want to see this in action. This is a book that you can read as a young adult and reread as an adult and it hasn't lost anything.Memory (Phoenix Award Book (Awards)) Overview

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Troy: Lord of the Silver Bow Review

Troy: Lord of the Silver Bow
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Troy: Lord of the Silver Bow ReviewThis book was released in England on the 1st of September and since I couldn't wait until it was released here in the U.S., I ordered.
I was not dissappointed and neither will you be.
David Gemmell fans know that this British author is most famous for writing in the fantasy genre. He is a master of creating a world and then peopling it with characters that are more human than any writer I have encountered. Though "Lord of the Silver Bow" is the first part in a trilogy about the Trojan War, Gemmell still writes like it were his own world. In fact, if the reader didn't know better, he would think that David Gemmell had been in ancient Greece scribing the events as they happened.
Historically, Lord of the Silver Bow is probably not accurate as it is peopled with real historical figures as well as figures from Gemmell's fertile imagination. Whatever historical "truths" that Gemmell misses are more than made up for by his deep insight into the minds of his characters. As in all of his novels the characters contain within them the whole range of human strengths and weaknesses; David Gemmell seems to suggest that a strength and weakness can be one and the same thing.
The story follows Helikaeon a sailor, warrior (and possible King) as he deals with love, death, loss and gain. Odyseuss is a homely, story telling, king that adds wisdom and humor to a world that for the most part is pretty grim.
"Lord of the Silver Bow" is a wonderful beginning to what could quite possibly be the greatest work of an already brilliant writer.
I for one can hardly wait for the rest of the trilogy to unfold.Troy: Lord of the Silver Bow Overview

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Confessions of Super Mom Review

Confessions of Super Mom
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Confessions of Super Mom ReviewI really enjoyed this book. It was funny, adventurous and definitely original. With all of the same old, same old out there it's great to find something that isn't completely predictable. A good light read that didn't disappoint!Confessions of Super Mom Overview

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The Great Cheese Conspiracy (Marshall Cavendish Classics) Review

The Great Cheese Conspiracy (Marshall Cavendish Classics)
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The Great Cheese Conspiracy (Marshall Cavendish Classics) ReviewThis was the first book I read over 20 years ago, and I never forgot it. That is how much I enjoyed it, I would definitly recommend it.The Great Cheese Conspiracy (Marshall Cavendish Classics) Overview

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Rootabaga Stories, Part One Review

Rootabaga Stories, Part One
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Rootabaga Stories, Part One ReviewIs it possible in a half dozen pages to produce a credible and moving story of the love of two skyscrapers and the sorrowful loss of their child, a train? Only for Carl Sandburg, I dare say. I'm not sure who requests this book more often, me or my 7-year-old daughter, but these bite-size, fabulous stories increase their charm with each rereading. Each story is a treasure. This book is a must-have for anyone who loves beautiful and fantastic story telling.Rootabaga Stories, Part One Overview

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The House of Power (Atherton, Book 1) (No. 1) Review

The House of Power (Atherton, Book 1) (No. 1)
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The House of Power (Atherton, Book 1) (No. 1) ReviewMeet Edgar, a mischievous boy who likes to climb (which in a land of fig trees is a pretty good thing). Enter Isabella, who spies on Edgar as he climbs where he is not allowed (ie sister-like pest who turns out not to be so bad). One night Edgar finds a book, a glimpse of a memory from his past, hidden in the cliffs. But alas, poor Edgar cannot read. Nor can anyone that he knows, but he does know where people CAN read... in the Highlands of Atherton. Beyond where he is allowed to climb but he goes regardless meeting a young boy, Samuel. Samuel uncovers the truth to the earthquakes plaguing Atherton but before he reveals it to Edgar, Samuel is stolen away by some bad men. Ah yes, a story of secrets, adventure, soldiers, villians, action-packed war, and heroic deeds in an ever-fast changing world... you can't go wrong by reading "Atherton: House of Power." Atherton holds the same spirit of adventure that the "Chronicles of Narnia" and complexity of the "Ender" series. All ages will enjoy this story.The House of Power (Atherton, Book 1) (No. 1) Overview

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The Mirror of Her Dreams (Mordant's Need) Review

The Mirror of Her Dreams (Mordant's Need)
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The Mirror of Her Dreams (Mordant's Need) ReviewI literally stumbled over this book on a flea market, not aware it was on the first part of an amazing two-volumes novel by Donaldson. And it took me quite some time to find the sequel...
Still, this book had a great impact of me. It was one of those novels you can read from the first to the last page, without any interruption, mostly because of the main character, a young frustrated woman brought into a new world, a parallel universe, middle-age style, where magic still exists...
Slowly, over the time she spends in this world, she gets rid of her own problems, getting more and more involved in the intrigues of this fantastic world she starts to like more and more, until she arrives at the point where she has the possibility to go back, but finally doesnt...
I particularly liked that the main character was a woman, who finally will be able to make her way in this world dominated by prejudiced men...
The plot of the book is just brilliant, the characters fascinating, even the bad guys, and this is a great pleasure to read...
But to find out about all the secrets in this book, you will need to read the equally well written sequel (A man rides through) to this volume and therefore I recommend you greatly to buy the two books together if you want to read this story.The Mirror of Her Dreams (Mordant's Need) Overview

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Seeing Redd: Looking Glass Wars, Book Two (The Looking Glass Wars) Review

Seeing Redd: Looking Glass Wars, Book Two (The Looking Glass Wars)
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Seeing Redd: Looking Glass Wars, Book Two (The Looking Glass Wars) ReviewThis second volume in Beddor's "The Looking Glass Wars" series decides to pick up the story where the earlier volume left off. With a war-weary Alyss trying to consolidate and rebuild her kingdom and become accustomed to the responsibilities of rule while dealing with all the loss and pain of the past. Trouble is looming, all too clearly in the future and Alyss has many enemies and plotters to face that seek to dethrone her and claim Wonderland for their own. For those who haven't read The Looking Glass Wars, this book won't be easy to read without having the back story from the original.
Of course, there's no doubt with the title that the main villain of the first book will be back. Redd is now loose on Earth, gathering together a dark force of exiled Wonderlanders and villains who flock to her side. Like the first volume in the series, this one relies on some references to the classic work of Alice in Wonderland as well as other literature and mythology--but from there it departs into its own territory. Redd is out to retake her place as reining sovereign of Wonderland and to crush all resistance and goodness that might oppose her. King Arch of Boarderland is a scheming, chauvinistic tyrant who wants to undermine Alyss and Wonderland for his own ends--and has a weapon that threatens the destruction of both countries if used. Against them is Alyss, and her band of faithful Wonderlanders who seek to restore peace and white imagination to the land. In its way it is an interesting plot and characters, but it just doesn't completely work.
To be honest, this series has an identity crisis. The idea of basing a story on the original writings of Lewis Carroll but changing the original perception is intriguing and not without some merit. But Beddor takes only the surface images and suggestions--ignoring Carroll's deeper satire and symbolism and suggesting that, in fact, Carroll is a foolish man who keeps getting the story wrong. Granted, this is the author's prerogative to do--but it may put off admirers of Lewis Carroll who find the depiction unpalatable. Likewise, the original Alice stories tend to work without a sense of good vs. evil--everything is kept much more ambiguous. Beddor's work follows a much more strict aligning of good and evil and places the players in their assigned roles without much wiggle room. A bigger problem is the tone and setting: the prospect of Alyss being a princess, then Queen of Wonderland and the champion of White Imagination in a place where talking caterpillars live and tarty tarts are served sounds like something out of a kiddie story. There's a strange sense of naiveté about the fantasy background that is a bit like someone setting up a Disney animated movie--and then throwing live action battle scenes into it. The violence is overkill--quite literally. Beddor's story keeps trying to play two contrary tunes that don't mesh well and made reading it an uneasy experience.
There are deadly characters who sound more at home in an X-men movie. There are weapons of massive violence and death, pain, betrayal. There are dark plots that would be more at home in an epic fantasy for adults. Redd kills her own parents when they deny her the throne. Dodge Anders is trying to deal with his desire for revenge and love for Alyss. Hatter grieves for his lost love. Some of the depictions of these characters are quite good: the Jack of Diamonds being one of the more surprising, and Hatter coming into his own. But these are overshadowed by the two-dimensional depictions of the main villains and Alyss herself. Alyss is all good, white imagination. Redd is all bad, black imagination. The extremes of Redd and her band are caricatures--when so many of the other characters are trying to achieve a more rounded appearance. And then from the dark and violent--there are scenes like the one where Redd treats the caterpillars to Tarty Tarts for information and the whole tribe of them act like a group of lost boys from Peter Pan. It's too silly and trivial in a story that has become so dark. Likewise the constant presence of "cute" Wonderland references--dormouse snouts, chessmen, card soldiers, etc. -keep pulling the reader out of the story and disrupting the tension. Beddor's writing feels like it wants to leap out of the strict black/white, good/bad mentality, but doesn't quite know how to break down the child-like pardigm and put something more complex in its place.
The first book in this series was a bit on the questionable side for younger readers because of the violence inherent--this book really doesn't merit being termed a children's book at all. It is an adult fantasy novel that has some interesting ideas and plotting, but ultimately fails to be written to an identifiable audience or have a consistent tone. Unlike the previous story, that has a positive and defined conclusion, Seeing Redd doesn't wrap up all the outstanding storylines and readers will have to wait for the third book at least to see what happens between Redd and Alyss. Older readers of fantasy who have some knowledge of Lewis Carroll's work may find some enjoyment in these books, but they are not for readers who are uncomfortable with excessive violence. Those who like these books may want to look into Garth Nix's Keys to the Kingdom series and Shannon Hale's Goose Girl and Enna Burning.
Happy Reading! Shanshad ^_^
Seeing Redd: Looking Glass Wars, Book Two (The Looking Glass Wars) Overview

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The Lost Ones (The Veil, Book 3) Review

The Lost Ones (The Veil, Book 3)
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The Lost Ones (The Veil, Book 3) ReviewOliver Bascombe is imprisoned along with his sister Collette and his fiancee Julianna after having been tricked into killing the King of Yucatazca, one of the Two Kingdoms; an act that has helped destroy the truce and brought the kingdoms to war. Behind the scenes, it is the sorcerer Ty'Lis who is manipulating events. Ty'Lis and the Atlanteans are hoping to weaken the Two Kingdoms and end up being the supreme power. They have been killing the Borderkind and hope to close off all gates between the modern human world and the world of myth and legends.
Oliver and Collette may be Legend-born, people with unique powers to enable the Lost Ones (humans trapped behind the Veil--which separates the worlds of myths from the mundane world) to be able to cross back into the human world they originally came from, but if so, they have yet to come into their powers or believe in themselves. But they still have to somehow escape and try to keep the human Kingdoms from war and the Atlanteans from killing people and closing the gates.
The story is fast-moving and filled with battles and action and magic and monsters and plenty of horrors (both of monsters and of warfare). There is some character growth in that Oliver and Collette and Julianna need to deal with being crucial players in events that will be possibly world-shattering. And there is suspense and emotion as characters are threatened by the evil Sandman and by the violence of warfare.
There could have been a little more character development and growth, but this is the third in a trilogy, so most of the emphasis is placed on bringing things to a climactic ending. Even that isn't handled particularly well--the warfare is horrific and there is also heroism and sacrifice, but Oliver's attempt to shorten the war seems ill-planned and odd, yielding an unintended result. Things seemed to tie up a little too quickly, but it was still a solid ending for this trilogy. My small pet peeve is that Ty'Lis succumbs to a classic Evil Overlord no-no when it comes to dealing with Oliver and Collette. Ah, well. I guess that's why the Evil Overlord-types never win...!The Lost Ones (The Veil, Book 3) Overview

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Morgawr (The Voyage of the Jerle Shannara, Book 3) Review

Morgawr (The Voyage of the Jerle Shannara, Book 3)
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Morgawr (The Voyage of the Jerle Shannara, Book 3) ReviewI've been a fan of Terry Brooks' Shannara series ever since the first book. The series is both interesting in its own right, yet wrapped in a familiarity that's very pleasant to the fantasy reader. The main knock against the later books in the series is that Brooks' characters tend to be very similar to previous versions. The entire Voyage of the Jerle Shannara series has suffered from this affliction. Not only that, but Brooks seems like he has been treading water with this series. The third and final book, Morgawr, is more of the same: comfortable, yet just a little too familiar. Rabid Brooks fans will definitely love it. Other Brooks fans will find that they enjoyed it, but it left them feeling a little bit empty, like having eaten some Chinese food and feeling hungry a couple of hours later.
The main problem with Morgawr is that it is basically a runaround. The main characters run, the Morgawr and his mwellrats pursue them. Some of the party runs into a monster, some action happens, and it's over. It all builds to a final confrontation that's obvious from the beginning, and it can take forever to get there. Doctor Who fans may be familiar with the "endless corridor" aspect of that show, where it seems like most of the story consists of the characters running back and forth down corridors. This book had much the same feeling, only on a larger scale.
There are also a series of coincidences and other illogical happenings that make the eyes roll. The party regroups in a much too easy way after being separated for so long. They basically run into each other. A few of them are better explained, having been found by Hunter Predd and his roc, a huge bird with very keen eyesight who has been patrolling the area in the air. However, the others are just a chance meeting that strains credulity to the limit. Not only that, but the Ilse Witch wakes from her catatonia in order to heal somebody, and gives Bek a vital clue that he needs, before returning to her catatonic state. The clue makes this happening very important, but I don't really buy the ultimate reasoning for why it happened.
The characters in Morgawr aren't bad, and Brooks has no qualms about killing some of them. This is a very bloody book (series, actually, since it started in the first book). Again, though, the characters are very similar to characters in past Shannara series, and the recognition factor jars. Bek is pretty much the same as previous Ohmsfords, Quenten Leah is like the Leahs of old, with his magic Sword of Leah. The Rovers are, as a group, similar to characters in the previous two series. At least the two main Rovers, Redden Alt Mer and Rue Meridian, are fairly distinctive, and interesting in their own right. This is not to say that the characters aren't interesting, because for the most part they are. I just wish they were different. They're comfortable characters, however, and fans of the series will like them. If this is the first Shannara series you've read, you won't notice this and will probably enjoy them in their own right.
The final problem to mention is Brooks' tendency to have is characters brood. They do this a lot, and the most annoying times are when the characters are in danger, or waiting for danger to come to them. It's not unusual for a character to be on guard, or watching for something to come at them, and spend one or two pages brooding about his or her circumstances, what's happened on this mission, friends who have died, or whatever. For me, it breaks the tension rather than adding to it. I kept saying to myself "would you please stop thinking and just get on with it?" And since the characters are usually brooding about similar things (the events since they arrived here), it also gets a bit repetitious as well.
Still, it is an enjoyable series to read, even more so if you've never read a Shannara book before. Brooks really has a talent for action scenes, and when they happen they are usually exciting. You do care for the characters and they are three-dimensional for the most part. You never know whether a character is safe or not, which also adds to the tension. Brooks kills off quite a number of them. I really enjoyed the finale, as the Morgawr, who has been shown to be much more powerful than any magic Bek or the Ilse Witch have, is defeated by brains rather than "a lucky shot" or something like that.
While I enjoy the Shannara books, and give this one just over 3 stars, part of me wishes Brooks would leave Shannara for awhile, or at least try to do something new with it. The concept of the Jerle Shannara series *is* new, with a voyage across the sea, but he wraps it in too many familiarities for this reader. If this is your first exposure to Brooks, then it's not so bad, and you will be entertained. I guess that's not a bad thing.Morgawr (The Voyage of the Jerle Shannara, Book 3) Overview

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The Eternity Code (Artemis Fowl, Book 3) Review

The Eternity Code (Artemis Fowl, Book 3)
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The Eternity Code (Artemis Fowl, Book 3) ReviewHE'S BAAACK! Yes, Artemis Fowl is back in action in the third addition to the hit series. The book is packed full with action and lives up to the promises of the other books.
Artemis Fowl is coming to grips with the return of his kidnapped father and Fowl Sr.'s newly formed conscience. His parents are insisting on turning around the illegal enterprises of the Fowl Family, but Artemis isn't so sure. Still, in an effort to please his parents, he decides that he will commit just one last crime. Just a tiny one.
But, Artemis didn't count on the operation blowing up in his face. When he meets with American master criminal Jon Spiro, he didn't realize he was being set up. All Artemis wanted to do was intimidate him a little bit with his new "C Cube", a hybrid of fairy and human technology decades ahead of its time; it will render all other technologies--like the ones Spiro creates--obsolete. So when Spiro steals the Cube and mortally wounds Butler in an attempt to murder Artemis, the young master criminal is forced to seek the aid of his long-time adversaries.
The Fairies are less than pleased when Artemis reveals his loss of the fairy technology, that, in the wrong hands, would be capable of revealing the entire Fairy civilization. Determined to steal back the C Cube, Artemis enlists the aid of Captain Holly Short and the Fairy criminal Mulch Diggums in a risky operation that takes place in Chicago.
Great fun! Colfer exercises his great prowess as a writer as he seamlessly winds the third story of Artemis Fowl. The funny, witty characters manage to be charming and tough. The only qualm I had was that Holly and Artemis had less interaction that they did in #2, which would have added even more humor to the novel. We also get to know Juliet Butler better, which is a good addition to the story.
Okay, do you really have to read this review to know you NEED TO READ this book? I didn't think so. If you haven't, read the others first. And when you have finished all three, you'll be hoping that Colfer will produce a fourth (its rumored that it will be quartet.)
So Happy Reading! You'll have lots of fun with this one...The Eternity Code (Artemis Fowl, Book 3) Overview

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The Wind in the Willows (Bantam Classics) Review

The Wind in the Willows (Bantam Classics)
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The Wind in the Willows (Bantam Classics) ReviewWhen I was very young (about six thousand years ago), our school master used to read to us from Wind in the Willows. The stories had a magical quality and a few weeks ago, as a somewhat older person, I got to wondering whether they would still have that sense of enchantment that held us so captivated all those years ago.
I was NOT disappointed. Toad was just as cantankerous and difficult as ever. Badger, Rat and Mole were just as supportive - just as memorable. Badger is unpredictable but protective (and sometimes mean). Mole is timid and shy. Rat is courageous and romantic. And who could ever forget those dreadful gun-toting weasels, ferrets and stoats glorying in their take-over of Toad Hall? Wind in the Willows is a true masterpiece of allegory with endless moral lessons disguised as a children's story. It is also a lesson in things long-forgotten... the glory of floating noiselessly down a river at dawn, past loosestrife, willowherb, bulrushes and meadowsweet. How many of us have even heard of these meadow plants, never mind seen them. But it doesn't matter, because it evokes nostalgia either for things long-forgotten or for things never-known.
At a child's level, Wind in the Willows is about friendship and about life in an imagined world centered around the river. At a less innocent level, Wind in the Willows draws many parallels with life, though Kenneth Grahame managed to avoid preaching his lessons. Not the least of Graham's parables is that 'the bigger they are, the harder they fall' because Toad is as egotistical and as self-important as they come until being thrown in jail for 'borrowing' a car. After that, it's all downhill for Toad, and it is only thanks to the loyalty of his friends that he regains some of his position in society - though not before learning a little humility first.
Though, at an older age, we pretend to be more sophisticated, at heart we always hold out the hope of a return to innocence and simple adventures. We are still (most of us) perfectly capable of identifying with the animals and the idea, as one reviewer put it, of two school-aged hedgehogs frying ham for a mole and a water rat, in a badger's kitchen does my imagination no harm whatsoever! As for Grahame's choice of phrase (...the "remotest dungeon of the best-guarded keep of the stoutest castle in all the length and breadth of Merry England"...) it's almost as poetically attention-grabbing as Rowan Atkinson's Blackadder series.
If you're looking for laser guns and hi-tech wars, W-i-t-W is NOT the book to buy. If you're after something a little more gentle (and a little more intelligent) Wind in the Willows is an outstanding example of a Classic that continues to withstand the test of time.The Wind in the Willows (Bantam Classics) Overview

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The Difference Between Women and Men: Stories Review

The Difference Between Women and Men: Stories
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The Difference Between Women and Men: Stories ReviewIf I had not read Catherine Wald's The Resilient Writer: Tales of Rejection and Triumph by 23 Top Authors, I would not have found this interesting author. This is a collection of short stories that frequently lifts the reader off the page and into flights of imagination. It is not type of the writing I usually seek out. Typically I spend a lot of time with language heavy literary writing and nonfiction works. To my surprise, I was immediately intrigued by Lott's unique style after finishing the first story, "Family."
I liked "Everything Cut Will Come Back," for how accurately it demonstrated the difficulty men have communicating their feelings to each other. Lott's blending of grounded reality and flights of fancy caught me off guard, but as soon as I let go of preconceived expectations, I was able to find much to admire. By the time I read "Appraisal," the story of a woman drowning in financial problems, I found myself missing the author's fanciful flights of unreality. Lott's stories focus on compassion, gratefulness and how important love is in our lives. These stories teach in much the same way traditional fables do. In some, the oversize metaphors required me to read the piece more than once. Tackling the kinds of relational issues that bring people into therapy is a daunting task, so I liked reading a totally original approach. The Difference Between Women and Men: Stories offers refreshing, light and entertaining reading where thought provoking ideas await discovery.The Difference Between Women and Men: Stories Overview

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The Sword of Shannara: The Druids' Keep - Part 2 (The Heritage of Shannara) Review

The Sword of Shannara: The Druids' Keep - Part 2 (The Heritage of Shannara)
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The Sword of Shannara: The Druids' Keep - Part 2 (The Heritage of Shannara) ReviewThis is unbelievable. It's also unfortunate since some will get duped into buying this. Shame on the publisher and shame on Amazon. Why not break into 5 books for 7 bucks a pop.....don't just be greedy, get really hoggish!The Sword of Shannara: The Druids' Keep - Part 2 (The Heritage of Shannara) Overview

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Bone Song Review

Bone Song
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Bone Song ReviewI just finished reading this book today and it is so good that I had to write this review. The first thing I liked about this novel is the worldbuilding, which reminds me of the Addams Family. There's a similar gothic creepiness and dark humor. Imagine if the whole world were like the Addams Family! This parallel Earth, has perpetually dark skies, multiple sentient species in addition to humans, and "necroflux," which is a form of energy produced by the "dead."
In the story, cop Donal, uncovers a sinister conspiracy which among other things, murders artistic people for their vivid "bone dreams." They also want to deprive non-human sentients of their civil rites, which is reminescent of the X-men series. There are multiple twists and turns, including a major one for Donal. I can hardly wait for the sequal were Donal adjusts to his new "status."Bone Song Overview

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Knight of the Demon Queen Review

Knight of the Demon Queen
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Knight of the Demon Queen ReviewDuring the past few years, Hambly has spent much of her time sending her characters to hell, sometimes figuratively (in her mystery series (Graveyard Dust, et al)) and sometimes literally, as in this series. Decades ago, many characters might have experienced such a journey, but most of them would emerge unscathed, except for the rare one such as Frodo. A more recent trend is to see how much damage, physically, emotionally, and mentally, a character can endure and yet return. While not completely dark as that, the separate travels of Jenny and John are something you would rather stay home and read about rather than experience yourself. The hells include the usual physical difficulties, but also the ones of figuring out who to trust, how to survive in different environments, and having to worry about personal survival, the survival of those that you love, and at the same time worrying about the future of the land that you live in.
I cannot recommend that anyone start the series with this book. Knowledge of what happened before is vital. As it is, since it has been months since the previous book, trying to separate out the various minor characters and determining whether they are important enough to worry about and why, is very difficult.
On the other hand, Hambly brings us, among her hells, a new world, a mix of Blade Runner with the cities of Walter Jon Williams, a place that is not our own, but one that might be one of our own future hells. That piece is very well done.
I hope that Hambly can bring about a conclusion of all this in the next book. Besides the concerns we have for the main characters, the lights are going out across the land, even without this plague of demons. While I do not expect a solution to all the problems facing Jenny and John, some more immediate than others, it would be good to allow them some peace and a chance to regroup.Knight of the Demon Queen Overview

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Scar Night (Deepgate Codex, Book 1) Review

Scar Night (Deepgate Codex, Book 1)
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Scar Night (Deepgate Codex, Book 1) ReviewOftentimes when the term "fantasy" is bandied about, people conjure up immediate Tolkien-esque images: wizards, Elvish warriors, Rings of Power, trolls, and other elements of the genre that have become very typical. It is because that imagery is so commonplace that when someone comes along like, say, Mervyn Peake or China Mieville, and darkens the notion of fantasy with grit, gloom and intensity, readers really take notice.
Alan Campbell may soon tire of comparisons to Peake and Mieville, but that doesn't mean they are not deserved. Campbell weighs in to the fantastic, giving us the dreary and spectacular city of Deepgate in his debut novel, SCAR NIGHT. This endeavor, upon first inspection, could have been buried by its premise, but instead Campbell deftly weaves a startling and mysterious story through the dark streets of an equally mysterious city and leaves readers groaning for the sequel.
Deepgate is like no other city you've visited. It hangs suspended over a black abyss that is supposedly the realm of Ulcis, a God known as the Hoarder of Souls. Great chains hold the city in place...though what they're connected to none can rightfully say. Airships bring business and travelers to and fro, though why anyone would come here is another story. Deepgate is a wound, a dilapidated and sinister city where every road is an alley and every walk out is a potential last trip.
Then there is Scar Night. The foolish fail to stay hidden behind locked doors, for on this night, as she has for thousands and thousands of years, the angel Carnival comes to Deepgate to feed.
While this all may seem enough for a novel, there is oh so much more. Enter Dill, the last archon and now just old enough to begin his duties. Rachel, an assassin who is part of a force trying to hunt down Carnival, takes Dill under her charge. She is hard, cold and demanding. And then there is Devon, the Poisoner, who has his own devious plot to concoct a potion of immortality, which requires the gathering of souls.
Dill may seem to be the eternal youthful hero, but he is really far more detailed than you expect. In fact, one of the great aspects of Campbell's writing is that each of his characters is so well defined and so interesting that it is hard not to be drawn to them, even Carnival and Devon. Dill is likable in his naivete and his desire to succeed, as well as the weight of the burden of being the last of his kind. Rachel, though rough, has a side she refuses to yield to fully, holding back a piece of herself out of fear of losing herself forever. Campbell's most outstanding creation, however, is Carnival, the scarred angel who feeds and enjoys what she does but feels despair afterwards. None of these characters is cookie-cutter nor are they paper thin.
A second strength of the author is his utter disregard for laying out the bare bones of his story for readers. Getting into SCAR NIGHT may seem like work initially, but that is only because you are made to feel like you've just arrived. You cannot know everything about a place right from the outset, and Campbell makes you work for the information. He will give you the nuggets you need as you progress, yet you will still be left with questions.
What are those chains attached to? --- Reviewed by Stephen HubbardScar Night (Deepgate Codex, Book 1) Overview

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Death Star (Star Wars) Review

Death Star (Star Wars)
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Death Star (Star Wars) ReviewFor the thirty years of Star Wars so far, the Death Star has stood as one of the single most iconic elements of the entire story. It burst upon screens in 1977 early in Star Wars, as an rapid camera cut leapt away from Tatooine to this gigantic menacing space station. We knew it was recently completed but little more. What was the conception of such a monstrous project? Who built it and how long did it take? Was the increasingly-insignificant Senate aware of the Emperor's plans for it? Why did someone with the evident powers of Darth Vader appear to bow to the commands of Grand Moff Tarkin? These questions and more have been bandied about in fans' minds for decades, some being touched upon in the Expanded Universe but most never directly addressed.
Adding to the general interest in the Death Star were its two appearances in the prequel trilogy. Attack of the Clones gives us a glimpse of the initial Death Star plans as Count Dooku takes them from Geonosian Archduke Poggle the Lesser for "safekeeping." In Revenge of the Sith, we see the skeletal frame of what appears to be the real Death Star in progress as the newly-armored Darth Vader and his master Darth Sidious gaze upon it contemplatively. This shot raised new questions for me, chief among them being how did it take an apparent eighteen years to get from this skeletal frame to the finished station?
Based on the level of interest and the many questions surrounding the Death Star, the opportunity was ripe for a comprehensive look at the whole project from start to finish, whether in book, cartoon, videogame, or some other form. I had high hopes for Michael Reaves and Steve Perry's novel Death Star to take that opportunity and run with it. However, after having read it, I'll say the opportunity is still there. Death Star is a mixture of high and low points with some clear strengths and weaknesses, but inarguably it does not answer the many outstanding questions out there.
For starters, the book is set in a surprisingly narrow window of time. It only covers the months right before completion of the station and does not attempt to fill in the intervening time. Perhaps Lucasfilm instructed the authors to stick to this timeframe due to a potential conflict-of-interest with the forthcoming Star Wars live-action television series which will cover events in the years between Episodes III and IV. More likely is that Reaves and Perry wanted time in the book to introduce sub-plots and new characters of their own, which didn't leave much room for a story that jumps through decades of Death Star development.
There are a great many new characters and stories to keep up with in this book. Making this rather challenging is the rapid-fire shifting from scene to scene, sometimes more often than once a page. The movies sometimes move at this pace but it's disorienting in a novel. Midway through the novel, I felt unsettled as I kept wanting it to slow down and let me get to know the characters and settings a little better.
A very strong and memorable storyline from this book is that of Tenn Graneet, the Imperial Navy Master Chief Gunnery Officer who ends up being the one to pull the trigger on Alderaan. I'd never given much thought to how that would feel, since the films focus on the leaders giving the orders, but it's well done here. I love how they even work in the odd double "Standing By" at Yavin IV from the film - a nice touch for those of us who have seen the movies MANY times.
It was interesting to see Doctor Divini return from the authors' Clone Wars-era Medstar Duology and follow his continuing storyline. The inclusion of Admiral Daala seemed a bit superfluous - perhaps this was because her scenes with Grand Moff Tarkin were a little on the grotesque side. The authors do a solid job with Tarkin himself and Darth Vader, and I found myself frequently wishing there were more scenes with them. Most of the other characters were adequate but I'm not likely to remember them very long.
Reaves and Perry did a great job of altering my concept of the station itself. I had never pictured recreational areas, shopping and cantinas as being part of the Imperial facility, but now that they've brought that in it makes perfect sense. Military personnel should always have some place to blow off steam and the requisite civilians to help with those services. There were some scenes in the cantina that felt more Love Boat than Star Wars, but I'm glad they didn't set the whole novel in the hangars, conference rooms, and detention areas we see in the films, as that wouldn't have made much sense.
The climax of the novel aligns with the events of Episode IV. Scenes feature dialogue taken verbatim from the movie, although many new events with the new characters are woven around them. This did not bother me at all - the movies are so familiar that I would find it jarring at this point to attempt a restating of their dialogue. There's plenty of excitement despite knowing the fate of the station beforehand and the authors do a great job with presenting the Imperial perspective on the attack by the small groups of Rebel snubfighters.
Death Star is a reasonably entertaining read but I am still hopeful to someday learn more about the history of this icon of the saga.
Death Star (Star Wars) Overview

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ESPN Guide to Psycho Fan Behavior Review

ESPN Guide to Psycho Fan Behavior
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ESPN Guide to Psycho Fan Behavior ReviewFor the college football fan out there, this fun little distraction of a book would be an excellent stocking -stuffer. I enjoyed the book greatly, check it out.ESPN Guide to Psycho Fan Behavior Overview

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Soul of Fire Review

Soul of Fire
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Soul of Fire ReviewAfter an intriguing first book in this trilogy, Sarah Hoyt delivers with the second book, "Soul of Fire."
This book takes place about six months after the events of "Heart of Light." Peter Farewell, the were-dragon we were introduced to in the first book, takes center stage in this book, as he is entrusted with the mission of finding the second jewel (Soul of Fire) and using it to find his friend Nigel, so Nigel can complete their goal of protecting the jewels. While in India fruitlessly searching for Soul of Fire, he encounters Sofie Warington, a young girl trying to escape an arranged marriage. Their adventures together lead Peter to what he seeks... and more.
It's historical fantasy, and it's fun. Hoyt throws in fun comments to add "realism" to her novel, like how Anne Boleyn was beheaded for not disclosing to the English king that she was a were-rabbit. The overall plot is great, and while we know the outcome, you definitely enjoy the story leading up to it.
I take one star off for a plot element she left hanging, though. Throughout the story, it's imperative that Sofie escapes the were-tigers, and so much of the action leads you to think that it's important (like when William and his Indian sepoy spy on the Kingdom of the Tigers). I kept thinking that William's visions were of an upcoming were-tiger attack. However, when the main characters converge on Meerut and William's visions come true, it has nothing to do with the Kingdom of the Tigers. I found myself flipping back and wondering when the were-tigers were going to attack or if there was going to be a big showdown between Peter and the tiger king.
Don't get me wrong, it's still a great book, and if you've been following this series you're going to enjoy it. But I don't know why Hoyt built up to such a big plot element and then just... abandoned it. Other than that, it's totally worth reading.Soul of Fire Overview

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