Sons and Lovers (Bantam Classics) Review

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Sons and Lovers (Bantam Classics) ReviewSons and Lovers is a book that has been set for years in school for children to read. Somehow doing this usually means that most people emerge with a hatred of it but Lawrence's book is of such quality that it is able to survive.
It is about a woman who marries a coal miner someone who is below her class. While he is young there is some joy in her life but as she grows older the class differences create a wall between them. She lives for her two male children who she tried to keep out of the mines and to ensure that they can live middle class lives. As she grows older the children become more important to her. The death of the oldest means that she suffocates the younger son with a love that affects his normal development.
The story is told through the eyes of the younger son. There is little question that the novel is autobiographical and based on the early life of Lawrence. His life is almost identical to the events portrayed in the novel.
Lawrence was a prolific novelist and short story reader but this work is probably his most accessible. His later novels tended to be more about peoples relationships but without the social content.
Nowadays the class issues have receded a bit into the background. At the time of its publication the book would have been seen as revealing the divisions that operated in Britain. Most critics tend to focus on the relationship of Lawrence and his mother as the primary focus of the novel. To some extent this is true but the book is much more. It is a portrait of a society thankfully now gone. It is the portrait of a young man being propelled by his mother to escape his fathers destiny. Unlike Lawrence's other books which have tended to date this book is easy to read and still a classic.Sons and Lovers (Bantam Classics) Overview

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One Last Look Review

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One Last Look ReviewBasing this story on real journals of the period, Susanna Moore recreates the lives of English nobility in India in 1836, just prior to the reign of Queen Victoria. Lady Eleanor Oliphant, through whose journal the story unfolds, accompanies her brother Henry to India when the family fortunes plummet and the King appoints Henry to be Governor-General in India, his base to be in Calcutta. Reflecting the attitudes of the early British colonialists, Eleanor tells us that she has twenty-seven servants, five of whom are needed whenever she washes her hands. More reflective than some of the other Englishwomen she meets, she admits that "The danger of this place is that I am learning to deny myself nothing." By contrast, her sister Harriet, also on the trip, finds India to be exhilarating, freeing her from the restrictions placed on women of her station in England and allowing her to make a real, independent life for herself.
Charged with winning over Afghanistan for Britain and preventing it from falling under the influence of Russia, Henry and his entourage travel from Calcutta to the Punjab to win the help of a raja there. Accompanied by ten thousand traveling companions, including his sisters and his household staff, Henry's caravan involves ten miles of beasts and men. As they travel in relative comfort west across the subcontinent, Eleanor records outbreaks of cholera and yellow fever, drought, and starvation so severe that 400,000 local people die in one area alone. Many deaths occur en route, and crippling loneliness sometimes overtakes the travelers, but Eleanor finds herself unexpectedly growing from the experience. In Delhi, where they meet the Emperor, Eleanor admits, "I find I am no longer very fond of Englishmen."
One Last Look is character-driven, rather than plot-driven, and Moore's depiction of the language and attitudes of the times is flawless--formal, restrained, and often self-indulgent. Though real memoirs were used as resources, Moore compresses time and scenes in ways uncommon to real memoirs, employing a novelist's sense of drama and a psychologist's sense of observation to lend the novel a real beginning, middle, and end. Lovely observations and descriptive passages revealing the vastness of India provide a welcome contrast to the smallness of the lives of the British aristocracy, whose insensitivity is presented with considerable irony. Though Eleanor grows enormously from her time in India, she never becomes a character with whom the reader feels immense sympathy, and it is clear that that is not Moore's intention. When Eleanor admits that "Nothing will ever be the same" after her India experience, the reader can only think of the extent to which that is the case for her Indian "hosts." Mary WhippleOne Last Look Overview

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