Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan (Cultural Memory in the Present) Review

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Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan (Cultural Memory in the Present) ReviewAdorned with a title that sounds like it was borrowed from Enya's last album, Ulrich Baer's derivative pastiche "Remnants of Song" is appallingly preachy and reductive, politically dubious in the extreme, mind-numbingly repetitive, and written in a style that lowers English critical prose to new levels of lumbering inelegance. For something worthwhile on Baudelaire, look at work by Susan Blood, Ross Chambers, Sartre . . . or anyone else, for that matter! "Remnants of Song" raises (lowers?) the bar in the writing-the-disaster department -- my nominee for the 2003 Residual Culture Award.Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan (Cultural Memory in the Present) Overview

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